“I guess the books weren’t selling or something, and they wanted to start doing the Pepsi version of Coke, you know, they wanted to have the same kind of characters as Marvel.”Artist Jim Craig, on why the Scorpion was revamped into a Spider-Man knockoff
(From Comic Book Artist #16, December 2001)
ReviewTitle: “Night of the Golden Fuhrer!”
Synopsis: Moro Frost “dies” in World War II, but the Scorpion lives on to battle the Golden Fuhrer in 1975.
Writer: Gabriel Levy
Penciler: Jim Craig
Youngsters weren’t yet proclaiming “WTF?!” back in the 1970s, or this issue surely would have garnered that reaction from Little Me. After two stylish, pulp-infused outings by Howard Chaykin (see Sequential Reaction’s reviews of Scorpion #1 and #2), Atlas throws out the baby with the bathwater with this generic superhero offering. Gabriel Levy’s script is full of logic flaws and plot holes, which isn’t surprising from a story built around “an atomic powered sewage-to-energy converter.” Jim Craig’s art would look right at home on any B-list Marvel title, but it’s a huge step down from Chaykin’s sophisticated storytelling.
Cool factor: For all its flaws – and the obvious letdown from the Chaykin issues – this issue just screams “’70s SUPERHERO COMIC!!!” (Sad confession: Little Me probably would have actually preferred this one to the Chaykin issues. Like I said: sad.)
Not-so-cool factor: Atlas already had one Spider-Man knockoff in the Destructor. Did it really need another?
Second opinion: “ … terrible.” — The Slings & Arrows Comic Guide (second edition).
“Sorry! Never could get along with reporters!”The Scorpion, whose new secret identity is a newspaper publisher
Published and © by Atlas (Seaboard), July 1975
Cover by Jim Craig
Collected EditionsScorpion #3 remains uncollected at the time of this review’s publication.
Editor’s note: This review first appeared on Comics Bronze Age, May 7, 2010.